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Chris Cookson Joins HPA Supersession

Sony Pictures Technologies president Chris Cookson discussed industry trends and his company’s development of a production backbone, Tuesday at the HPA Tech Retreat.

Among his observations:

–“As the market fractionalizes, the number of participants in any channel will shrink. We have to find ways to tailor what we do in how we create content and how we get it to market.” 

–“Everything is going digital. What is missing is how things mesh with one another. We are very dependent on the physical labor of moving things around.”

–“We need to face the fact that the market for each project will probably be smaller. The number of projects that will be hugely successful is likely to decline in the face of expanding choices.” 

Cookson said the production backbone for the creation and distribution of content is being developed with IBM and Sony. The first film in production that is using the system is Roland Emmerich’s upcoming “2012.”

Said Cookson: “Most of the principal photography on ‘2012’ is finished. We are starting production on a second film using the system. We are very encouraged by the progress so far.”

As to the impact on the production team, he related: “They are not being asked to change the way they work. If you want to work with Avid, you work with Avid. It is our job to manage the data in such a way that the creative process is improved upon, rather than telling people to adapt.

“The vision is that five years from now … it will be an imperative to be in a more datacentric environment than we are in today, which is very labor intensive.”

He concluded: “It is critical to recognize trends and prepare the system.” 

HPA Offers Vision of the Future

The entertainment technology community made its annual trip to Palm Springs for the Hollywood Post Alliance Technology Retreat.

The event, held at the Westin Mission Hills in Rancho Mirage, began with the HPA Insight / Foresight Visions of the Future supersession. During the session, Steve Weinstein of MovieLabs outlined industry trends. Among his observations:

–Out of favor: Ad driven models, service businesses, betting on hits, mobile content, and search engines.

–Renewed Importance: Big ideas, team/track record, quick to revenue, and limited competition.

–“This is not just a recession, it is a revamping of the model.” Some companies have already prompted massive change, such as Skype and Amazon; or are poised to do so, such as Hulu and YouTube.

–What do trends mean for post? Fewer shows, loss of control, loss of audience, outsourcing, desktop tools.

Weinstein concluded that those who acknowledge the trends, realize there is opportunity. He suggested a focus on the future: Take a startup mentality, improve the technology, and increase services.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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