News Stories

HIGHWAY TO HELL 3D

[Stereoscopy News]

Highway to Hell is a 3D stereoscopic horror movie directed by Richard Driscoll. Highway to Hell is a story like no other where the Texas Chainsaw Massacre meets The Wild West when two Las Vegas entertainers end up in the town of Eldorado. Watch Peter O’Toole and Daryl Hannah guide you through this story as the horror engulfs our heroes. Will they be eaten alive by the town’s occupants or will they manage to escape?

Duration: 90 minutes. Highway to Hell is on IMDB (with very light info available as for now) and will be released on July 23, 2012 in Blu-ray 3D on Amazon UK. …

Read the full story here: http://www.stereoscopynews.com/hotnews/storage-a-support/3d-blu-ray/2436-highway-to-hell-3d.html

NITRO CIRCUS 3D WILL BE RELEASED IN AUGUST

[Stereoscopy News]

Since we announced here the release of the Nitro Circus 3D trailer on December 31,2011, Travis Pastrana and his friends got a boatload of questions every day asking when the movie will be released. Now the distribution is secured by ARC Entertainment and Red Bull Media House, the release date is officially set to August 10, 2012. …

Read the full story here: http://www.stereoscopynews.com/hotnews/3d-movies/3d-blockbusters/2441-nitro-circus-3d-will-be-released-in-august.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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