News Stories

G.I. JOE: RETALIATION Film to Be Released in 3D

[Press Release]

Hasbro, Inc HAS -0.03% , and Paramount Pictures, announced today that G.I. JOE: RETALIATION will now be released in 3D. The film, originally slated for release in June 2012, is scheduled to be released March 29, 2013.

“It is increasingly evident that 3D resonates with movie-goers globally and together with Paramount, we made the decision to bring fans an even more immersive entertainment experience,” said Brian Goldner, Hasbro’s President and CEO.

“In 2012, we continue to have several strong motion picture and television entertainment backed properties that are selling well at retail and our entertainment strategy remains strong and on-track,” Goldner said. “Through our own Hasbro Studios for television and in partnership with several movie studios including Paramount, Universal, Sony and Relativity, we are creating entertainment experiences around many of our highly popular iconic brands. For the full year 2012, we continue to believe, absent the impact of foreign exchange, we will again grow revenues and earnings per share.”

See the original press release here: http://www.marketwatch.com/story/gi-joe-retaliation-film-to-be-released-in-3d-2012-05-23

Cable Show 2012: ESPN 3D to Serve Up Five Days of Live Wimbledon Coverage

[Multichannel]

ESPN 3D is serving up expanded coverage from Wimbledon this year.
The enhanced network, which presented the first televised 3D tennis last year at the grass court Grand Slam, will feature live telecasts for the final five days of The Championships from Wednesday, July 4, through the ladies’ and men’s finals on Saturday, July 7, and Sunday, July 8. All the matches aired on ESPN 3D will be competed on Wimbledon’s famed Centre Court, and will be encored that night at 9 p.m. (ET).
ESPN, which has secured complete rights to the prestigious tournament via a 12-year deal through 2023 by outbidding NBC Sports Group last summer, has not yet announced its 3D announcing team from this year’s Championships. …

See the full post here: http://www.multichannel.com/article/484797-Cable_Show_2012_ESPN_3D_to_Serve_Up_Five_Days_of_Live_Wimbledon_Coverage.php

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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