News Stories

Nervous System’s Ethereal 3D-Printed LED Leaf Lamps Shine Light on Natural Design

5.20.2012

[Inhabitant]

3D-printing design studio Nervous System just unveiled a stunning series of digitally printed lamps at this year’s International Contemporary Furniture Fair that are inspired by the beautiful branching patterns of veins in leaves. Befitting the biomimetic design, the lamps are dubbed Hyphae. The delicately formed lamps perfectly balance high-tech manufacturing techniques with natural forms, and their green credentials go beyond biomimicry and zero-waste manufacturing – each lamp is fitted with an energy-efficient 3 watt LED bulb, for ambient illumination with very little energy use.
See the full story here: http://inhabitat.com/nervous-systems-ethereal-3d-printed-led-leaf-lamps-shine-light-on-natural-design/

Will 3D printers make food sustainable?

5.20.2012

[Junk Science]

Andrew Purvis investigates whether 3D printers, artificial meat and GM can reduce food’s future environmental footprint

Before the end of the year, if Professor Mark Post of Maastricht University gets his way, the world’s first test-tube burger will be flame-grilled by Heston Blumenthal at The Fat Duck in Bray and served to a celebrity guest. Meals at this restaurant don’t come cheap, but this one will be the climax of a €250,000 research project – and a milestone in Post’s quest to find new ways of feeding the world, without destroying the planet.

His petri-dish patty will be made from a mixture of fat and cow muscle grown from stem cells in a culture of foetal calf serum (that’s blood plasma without the clotting agents) – a technology trialled in February.  …

Meanwhile, at Cornell University in New York, PhD candidate Jeffrey Lipton has developed a 3D food printer that lays down liquid versions of foods, dot by dot and layer by layer, to build up edible meals. “So far we have printed everything from chocolate, cheese and hummus to scallops, turkey and celery”, he says. At present, the technology uses liquid or melted versions of conventionally produced ingredients, but the aim is to create a range of ‘food inks’ made from hydrocolloids – substances that form gels with water. Homaru Cantu, a chef who has used the printer to make sushi, thinks this could have big implications for sustainability, not least because there would be no prepping of fresh ingredients, and therefore no food waste. …

See the full story here: http://junkscience.com/2012/05/19/will-3d-printers-make-food-sustainable/

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.