News Stories

Disney/Pixar 'Brave' Premiere To Mark Grand Opening Of The Dolby Theatre

[Hollywood Reporter]

Premiere will use Dolby 3D. A test mix of “Brave” in Dolby’s new Atmos sound format will be created, though it is unconfirmed if it will be ready for the opening.

Disney/Pixar Brave’s world premiere will mark the grand opening of Hollywood’s Dolby Theatre.

The  June 18 premiere is a special presentation for Film Independent’s 2012 Los Angeles Film Festival.

Earlier this month, it was revealed that the home of the Academy Awards at Hollywood & Highland will be rebranded the Dolby Theatre and that the 180,000-square-foot, 3,400-seat venue would be upgraded to support new Dolby technologies including Dolby 3D and Atmos.

The Brave premiere will be screened with the Dolby 3D system. At press time it was unconfirmed if Atmos—the new sound format introduced last month at CinemaCon—would be debuted. …

See the full story here: http://www.hollywoodreporter.com/news/disney-pixar-brave-premiere-dolby-theater-opening-326638

Silicon Micro Display Introduces ST1080 Wearable Display

[IT Pro Portal]

…  The ST1080 glasses from Silicon Micro Display promise “full HD” resolution due to the LCoS microdisplay technology. The portable display is designed to help users get a different viewing experience whilst watching a Blu-ray movie, or playing a game.

Work on the computer or laptop can become a lot more fun with these glasses, promises the company behind the product. The wearable display can provide either 2D or 3D content and full resolution mode for 720p or 1080p.

Highlights include a virtual display of 100 inch at 10 ft. (2.54 metres at 3 metres), plus the device is extremely light, weighing only 180g. Customers can pre-order the ST1080 head displays for $800 (£505) in either pearl white or jet black models. …

See the full story here: http://www.itproportal.com/2012/05/18/silicon-micro-display-introduces-st1080-wearable-display/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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