News Stories

Star Wars And Disney Boosting 3D Printing Industry Craze

 

[Forbes]

Han Solo would have wanted you to share the carbon freezing experience with him. That’s just the kind of guy he was. You can now, thanks to Disney, Star Wars, and its D-Tech 3D Printing technology. During the special Star Wars Weekend series at Disney World, fans of the movie can experience the “carbon freeze me” technology.

Using new imaging technology (probably not unlike the Autodesk 123D Catch app I wrote about last week), you are scanned and your likeness cast via three-dimensional printing methods. I won’t be surprised to see a RepRap, MakerBot or the new MakerGear M-series user leveraging both the Autodesk 123D Catch app and a 3D printer to create their own Han Solo versions. I’d watch Thingiverse.com for productions. …

See the full post here: http://www.forbes.com/sites/tjmccue/2012/05/16/star-wars-and-disney-boosting-3d-printing-industry-craze/

Sky to carry Eurosport 3D French Open

[Broadband News]

Eurosport has announced plans to broadcast the 2012 French Open live in the 3D format in the UK through Sky 3D.

The international sports channel will broadcast a live 3D feed from Centre Court at Roland Garros from Monday May 28 to June 10. It will be the third consecutive French Open tournament to be produced and available for fans in 3D. …

UK rights to the French Open will be shared between Eurosport and for the first time ITV4, which has snatched the rights from the BBC in a three year deal.

The announcement comes ahead of a major weekend of live 3D sport on Sky 3D this weekend, including the UEFA Champions League Final between Chelsea and Bayern Munich and Rugby’s Heineken Cup Final between Ulster and Leinster. Additionally, the Soccer AM will be broadcast in 3D for the first time this Saturday.

See the full story here: http://www.broadbandtvnews.com/2012/05/17/sky-to-carry-eurosport-3d-french-open/

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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