News Stories

Samsung reveals its production-ready 55-inch OLED TV, the ES9500

[Digital Trends]

… Now we’ve got Smart DualView, which allows two people to watch two different programs on the same screen at the same time, in full high definition too, by using special 3D glasses with wireless headphones attached.

All this is in addition to the glorious picture offered by an OLED screen, plus the fast response time, and potential lack of motion blur and 3D crosstalk.

The ES9500 is set to go on sale during the second half of the year in Korea, where it will cost the equivalent of more than $9,000.  …

Read the full story here: http://www.digitaltrends.com/home-theater/after-teasing-us-a-ces-samsung-reveals-its-production-ready-55-inch-oled-tv-the-es9500/

Vizio M3D550KD 65" 3DTV review

[PC Magazine]

Vizio strikes again with a low-priced, well-equipped edge-lit LED HDTV. Last year, we tested the 65-inch Vizio XVT3D650SV ($3,699.99, 4 stars) and were pleased by its Web features, passive 3D, and picture quality. Now, the M3D550KD follows suit, with just as many useful features and a much, much lower $1,429.99 (direct) price tag. Its 3D isn’t quite as crisp as with some active 3D HDTVs, but considering everything you get for the price, the M3D550KD earns our Editors’ Choice for budget HDTVs.

Design
Plain and unassuming, the M3D550KD has a slightly glossy and rounded black bezel with a backlit Vizio logo on the bottom and no other design flourishes. A row of controls sit behind the right edge of the screen, offering Power, Menu, Input, Channel Up/Down, and Volume Up/Down buttons. The inputs face left and downward in a recessed part of the back panel …

If you want a big, full-featured HDTV for a low price, the Vizio M3D550KD should be at the top of your list. At $1,430 it’s not exactly an impulse buy, but for offering 3D with four pairs of glasses, Wi-Fi, lots of Web options, a QWERTY remote, and excellent contrast and color for a lot less than similar-sized and similar-equipped HDTVs, it’s our Editors’ Choice for budget HDTVs.

Read the full review here: http://www.pcmag.com/article2/0,2817,2404054,00.asp

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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